Slobodan Tomić rođen je u Splitu 1960. Diplomirao na ALU u Sarajevu 1984. god., odsjek grafike, u klasi Dževada Hoze. Predaje grafiku i 3D oblikovanje na Umjetničkoj akademiji u Splitu, u zvanju je docenta. Od 1984. Izlaže na mnogobrojnim samostalnim i kolektivnim izložbama u zemlji i svijetu. Također sudjeluje na festivalima eksperimentalnog i animiranog filma. Eksperimentira na području grafike, animacije i novih medija. Dobitnik je brojnih međunarodnih nagrada za grafiku i kratki film.
Filmografija: Zlatni paviljon, 2004., Videotape, 2007., Flag Methamorphoses, 2007., Društvo mrtvih pjesnika, 2007., White noise, 2007., Ritam zločina", 2012., Rađanje fašizma, 2016., Prozori straha, 2018., Perforacije, 2018., Aleph, 2020.
Slobodan Tomić (b. 1960, Split) graduated in 1984 with a Graphic Arts degree from the Graphic department of the Academy of Fine Arts in Sarajevo under professor Dževad Hozo. He is currently emloyed as an assistant professor at the Arts Academy in Split where he teaches Printmaking and 3D Animationa. Since 1984, he has exhibited in numerous group and solo exhibitions both at home and abroad as well as in experimental and animated film festivals. Tomić is engaged in experimental approach to printmaking, animation and new media. He has received several international awards for his prints and short films.
Filmography: Golden Pavilion, 2004, Videotape, 2007, Flag Metamorphoses, 2007, Dead Poets Society, 2007, White Noise, 2007, The Rhythm of Crime, 2012, The Rise of Fascism, 2016, Windows of Fear, 2018, Perforations, 2018, Aleph, 2020.
Slobodan Tomić
Aleph, 2019., 2D animacija
Aleph, 2019, 2D animation
07’ 42"
Borgesov Aleph predstavlja jedinstvenu mjesto iz kojeg se vidi svaki događaj na planeti. Danas bismo mogli reći da je Aleph metastazirao i nalazi se u svakom uređaju sa ekranom. Svaki čovjek istovremeno može doprijeti do bilo koje točke u svijetu. U tom smislu, suvremeni Aleph je suprotnost Borgesovom, jer nije ekskluzivan, već svačiji.
(iz umjetnikove izjave)
Borges' Aleph represents a unique place from which every event on the planet can be seen. Today, we could say that Aleph has metastasized and is found in every device with a screen. Every man can concurently reach any point in the world. In that sense, the modern Aleph is the opposite of Borges', because he is not exclusive but everyone's.
(from the artist's statement)
