Predrag Pavić diplomirao je na Akademiji Likovnih Umjetnosti u Zagrebu 2011. godine. Boravio je na rezidencijama u Budimpešti, Dusseldorfu i New Yorku. Izlagao je na samostalnim i skupnim izložbama u zemlji i inozemstvu (Zagreb, Split, Pula, Osijek, Rijeka, Dubrovnik, Gothenburg, Catania, Sofia, Düsseldorf, Gdansk, Dresden, New York,…). Nagrađivan je za svoj rad (Velika nagrada - X. Trijenale kiparstva, Nagrada Emanuel Vidović - 38. Splitski salon, HS AICA - XII. Trijenale kiparstva, Radoslav Putar 2019., EX AEQUO - 27. Slavonski bijenale). Predaje na Kiparskom odsjeku ALU. Živi i radi u Zagrebu.
Predrag Pavić graduated from the Academy of Fine Arts in Zagreb in 2011. He has participated in residencies in Budapest, Düsseldorf, and New York. He has exhibited in solo and group exhibitions both domestically and internationally (Zagreb, Split, Pula, Osijek, Rijeka, Dubrovnik, Gothenburg, Catania, Sofia, Düsseldorf, Gdansk, Dresden, New York, etc.). He has received numerous awards for his work, including the Grand Prize at the 10th Sculpture Triennial, the Emanuel Vidović Award at the 38th Split Salon, the HS AICA Award at the 12th Sculpture Triennial, the Radoslav Putar Award 2019, and the ex aequo Award at the 27th Slavonian Biennial. He teaches at the Sculpture Department of the Academy of Fine Arts in Zagreb. Lives and works in Zagreb
Predrag Pavić
The Work is Nothing, All is Work, 2024.
plakat (trikloretilen xerox transfer), online time-lapse video / poster (trichloroethylene Xerox transfer)
94 x 70 cm, dimenzije promjenjive / 94 x 70 cm, dimensions variable
Dokumentacija predstavlja izložbu s nepostojećim radom. Publika ove izložbe na pojavnoj se razini mogla pitati radi li se o ambijentu, jer on je izložen i jedini vidljiv, ili o materijalnoj intervenciji u prostoru koja je nevidljiva, ili o kiparskom djelu koje je zatvorilo ranije otvorene volumene[1] zidova galerije oštećene u potresu.[2]
[1]Vukmir, J., Uvodni tekst izložbe The Work is Nothing, All is Work
[2]Iako se može konstatirati kako se u Institutu za suvremenu umjetnost uprizorio nevidljivi rad koji odgovara temi ove izložbe i koji bi s ostalim radovima trebao ući u konkurenciju za nagradu. Svjestan okolnosti[3] prihvaćam njegovu izloženost izvan konkurencije.
[3]Ravnateljica Instituta za suvremenu umjetnost predsjednica je žirija Slavonskog bijenala.
The documentation presents an exhibition with a non-existent work. On a perceptual level, the exhibition's audience might question whether it is about an environment, as it is exhibited and the only visible element, or about a material intervention in the space that is invisible, or about a sculptural work that has closed off the previously open volumes[1] of the gallery walls damaged in the earthquake.[2]
[1]Vukmir, J., Foreword for the exhibition The Work is Nothing, All is Work
[2]Although it can be stated that the Institute for Contemporary Art has staged an invisible work that corresponds to the theme of this exhibition and should be considered for the award alongside the other works. Given the circumstances [3], I agree to exhibit it outside the competition.
[3]The director of the Institute of Contemporary Art is the president of the jury of the Slavonian Biennial.
